Deep End

  • Dir: Jerzy Skolimowski

  • UK/West Germany, 1970, 92minmins, DCP

  • Cast: Jane Asher, John Moulder-Brown

Generational confusion, emotional chaos and absurdist sensibility of the Swinging Sixties poke up above water in Skolimowski’s touching and surreal coming-of-age story. Taking a job in a tattered old London bathhouse, timid Mike is infatuated with Susan, an experienced attendant who helps him navigate client’s unsavory advances and discover the world of lust and sex. Music from Can and Cat Stevens, along with expressionistic water imagery, articulates a loose, freewheeling feel drown in the allegorical world of the pool. A bizarre yet pathetic ending is the high point of this wonderfully mysterious film.

Co-presenter of “Marvelous Four: 100 Years of Polish Independence”



In-theatre Screening

  • Tickets available at screening venue on screening date2018-11-10 (Sat)
    Buy Tickets2018-12-15 (Sat)


1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

5. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available after the screening begins.

6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.