Schedule
Online Screening
Start Date, Time - End Date, Time | End Date, Time | Title Remarks | Remarks |
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In-theatre Screening
Date | Time - Title Remarks Film Code | Remarks | Film Code |
---|---|---|---|
2024-07-06 (Sat) | 14:30 - The Connection | ||
17:30 - To Sleep So as to Dream | |||
20:00 - A Clockwork Orange | |||
2024-07-07 (Sun) | 14:30 - Koyaanisqatsi: Life Out of Balance | ||
16:45 - Powaqqatsi: Life in Transformation | |||
19:30 - Naqoyqatsi: Life as War | |||
2024-07-20 (Sat) | 14:30 - 3 Women | ||
17:15 - The Hourglass Sanatorium | |||
20:00 - Seconds | |||
2024-07-21 (Sun) | 14:30 - Performance | ||
17:00 - Tommy | |||
20:00 - Point Blank | |||
2024-08-14 (Wed) | 18:45 - Black Dog | ||
21:30 - The Substance | |||
2024-08-15 (Thu) | 19:15 - Another End | ||
19:30 - Sailor Suit and Machine Gun | |||
21:45 - SAND LAND | |||
2024-08-16 (Fri) | 19:15 - Wild Diamond | ||
19:30 - P.P. Rider | |||
19:30 - Desert of Namibia | |||
21:30 - No Other Land | |||
22:00 - Look Back | |||
2024-08-17 (Sat) | 14:30 - Elementary | ||
14:30 - Black Dog | |||
14:30 - After Hours | |||
16:45 - The Wild Child | |||
17:00 - Rude to Love | |||
17:15 - Luminous Woman | |||
19:00 - Small Change (a.k.a. Pocket Money) | |||
19:15 - Let's Go Karaoke! | |||
20:15 - Typhoon Club | |||
21:15 - François Truffaut: My Life, A Screenplay | |||
21:30 - Worlds Apart | |||
2024-08-18 (Sun) | 14:30 - Desert of Namibia | ||
14:30 - One from the Heart: Reprise | |||
14:30 - King Kong | |||
17:00 - Moving | |||
17:00 - Godzilla | |||
17:30 - Look Back | |||
19:00 - The Substance | |||
19:15 - SAND LAND | |||
21:00 - Wait and See | |||
21:30 - The Second Act | |||
21:45 - After the Snowmelt | |||
2024-08-19 (Mon) | 19:30 - The Friends | ||
2024-08-20 (Tue) | 19:30 - Suffocating Love | ||
19:30 - Umbrella Flower | |||
21:45 - The Devil's Bath | |||
2024-08-21 (Wed) | 19:30 - P.P. Rider | ||
19:30 - Elementary | |||
21:45 - Let's Go Karaoke! | |||
2024-08-22 (Thu) | 19:30 - Hayao Miyazaki and the Heron | ||
19:30 - Luminous Woman | |||
22:00 - My Favourite Cake | |||
2024-08-23 (Fri) | 19:15 - The Wild Child | ||
19:30 - Foreign Tongue | |||
19:30 - Rude to Love | |||
21:15 - Small Change (a.k.a. Pocket Money) | |||
21:45 - The Friends | |||
2024-08-24 (Sat) | 14:30 - Sailor Suit and Machine Gun | ||
14:30 - François Truffaut: My Life, A Screenplay | |||
14:30 - Hayao Miyazaki and the Heron | |||
16:30 - One from the Heart: Reprise | |||
17:00 - Typhoon Club | |||
17:00 - My Favourite Cake | |||
18:30 - After Hours | |||
19:15 - The Second Act | |||
20:00 - Godzilla | |||
20:45 - Made in England: The Films of Powell and Pressburger | |||
21:15 - Another End | |||
2024-08-25 (Sun) | 14:30 - Moving | ||
14:30 - No Other Land | |||
14:30 - After the Snowmelt | |||
16:45 - Suffocating Love | |||
16:45 - The Devil's Bath | |||
17:30 - Wait and See | |||
19:00 - Tales of Taipei | |||
19:15 - Wild Diamond | |||
20:00 - Worlds Apart | |||
21:30 - King Kong | |||
21:30 - Tales of Taipei | |||
2024-08-26 (Mon) | 19:15 - Foreign Tongue | ||
21:30 - Umbrella Flower |
Hong Kong Arts Centre Louis Koo Cinema (Venue)
M+ Cinema (Venue)
PREMIERE Elements (Venue)
EMP Cinemas Times Square (Venue)
Chinese Subtitles
Category III
Post-screening talk
Filmmaker(s) and/or actor(s) will attend the screening
Assigned seating
Full House
Remarks
1. Screenings at Emperor Cinemas iSQUARE, Emperor Cinemas Times Square and PREMIERE Elements : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.
2. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.
3. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
4. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.