Schedule
In-theatre Screening
| Date | Time - Title Remarks Film Code | Remarks | Film Code |
|---|---|---|---|
| 2026-07-04 (Sat) | 14:00 - Satantango | ||
| 2026-07-05 (Sun) | 14:30 - The White Dove | ||
| 17:00 - The Devil’s Trap | |||
| 19:15 - Lucía | |||
| 2026-07-11 (Sat) | 14:30 - Marketa Lazarová | ||
| 18:30 - The Valley of the Bees | |||
| 2026-07-12 (Sun) | 14:00 - Werckmeister Harmonies | ||
| 17:00 - Adelheid | |||
| 19:30 - Shadows of a Hot Summer | |||
| 2026-07-18 (Sat) | 14:30 - The Man from London | ||
| 17:30 - The Sheltering Sky | |||
| 2026-07-19 (Sun) | 14:00 - The Turin Horse | ||
| 17:15 - Out of Africa | |||
| 2026-08-19 (Wed) | 18:15 - HOPE | ||
| 18:45 - HOPE | |||
| 2026-08-20 (Thu) | 19:15 - The Day a Pig Fell into the Well | ||
| 20:00 - The Wailing | |||
| 21:30 - Once Upon a Time in Harlem | |||
| 2026-08-21 (Fri) | 19:15 - The Power of Kangwon Province | ||
| 19:30 - Lucy Lost | |||
| 21:30 - Shame and Money | |||
| 2026-08-22 (Sat) | 14:30 - Virgin Stripped Bare by Her Bachelors | ||
| 14:30 - The Blade | |||
| 15:00 - Decorado | |||
| 16:45 - The Samurai and the Prisoner | |||
| 17:00 - Burn | |||
| 17:00 - Turning Gate | |||
| 19:15 - Red Rocks | |||
| 19:30 - A History of Violence | |||
| 19:45 - Teenage Sex and Death at Camp Miasma | |||
| 21:15 - The Imp | |||
| 21:30 - The Misfits | |||
| 22:15 - Normal | |||
| 2026-08-23 (Sun) | 14:30 - Tale of Cinema | ||
| 14:30 - Days of Being Wild | |||
| 15:00 - Ghost in the Cell | |||
| 16:45 - The Man I Love | |||
| 17:15 - Woman on the Beach | |||
| 17:15 - Lucy Lost | |||
| 18:45 - The Beloved | |||
| 19:15 - Once Upon a Time in Harlem | |||
| 19:45 - Eastern Promises | |||
| 21:30 - Parallel Tales | |||
| 21:30 - The Electric Kiss | |||
| 21:45 - The Seven Year Itch | |||
| 2026-08-24 (Mon) | 19:30 - The Day a Pig Fell into the Well | ||
| 21:45 - The Power of Kangwon Province | |||
| 2026-08-25 (Tue) | 19:30 - Shame and Money | ||
| 19:30 - Night and Day | |||
| 22:15 - Oki’s Movie | |||
| 2026-08-26 (Wed) | 19:30 - The Electric Kiss | ||
| 19:30 - Hahaha | |||
| 21:45 - Our Sunhi | |||
| 2026-08-27 (Thu) | 19:30 - Virgin Stripped Bare by Her Bachelors | ||
| 19:30 - We Are Aliens | |||
| 22:00 - Turning Gate | |||
| 2026-08-28 (Fri) | 19:30 - Tale of Cinema | ||
| 19:30 - YO (Love is a Rebellious Bird) | |||
| 21:15 - The Samurai and the Prisoner | |||
| 21:30 - Woman on the Beach | |||
| 2026-08-29 (Sat) | 14:30 - Night and Day | ||
| 14:30 - Red Rocks | |||
| 14:30 - We Are Aliens | |||
| 16:30 - Days of Being Wild | |||
| 17:00 - Decorado | |||
| 17:30 - Oki’s Movie | |||
| 19:00 - The Blade | |||
| 19:00 - Parallel Tales | |||
| 19:15 - The Seven Year Itch | |||
| 21:30 - The Imp | |||
| 21:45 - Josephine | |||
| 22:00 - Teenage Sex and Death at Camp Miasma | |||
| 2026-08-30 (Sun) | 14:30 - A History of Violence | ||
| 14:30 - Hahaha | |||
| 14:30 - The Beloved | |||
| 17:00 - Our Sunhi | |||
| 17:15 - Eastern Promises | |||
| 17:15 - Normal | |||
| 19:00 - The Misfits | |||
| 19:30 - The Man I Love | |||
| 19:30 - Burn | |||
| 21:00 - Secret in the Box | |||
| 21:30 - Secret in the Box | |||
| 21:45 - Ghost in the Cell | |||
| 22:00 - YO (Love is a Rebellious Bird) | |||
| 2026-08-31 (Mon) | 19:30 - Josephine |
Hong Kong Arts Centre Louis Koo Cinema (Venue)
EMP Cinemas Times Square (Venue)
EMP Cinemas iSQUARE (Venue)
PREMIERE Elements (Venue)
Chinese Subtitles
Category III
Post-screening talk
Filmmaker(s) will attend the screening
Assigned seating
Full House
Remarks
- On-the-day Ticket Purchase Arrangement : Tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.
- Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
- While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.
