The Flow of Evening a.k.a. Evening Stream
Dir: Naruse Mikio, Kawashima Yuzo
Japan, 1960, 111 minmins, DCP
Cast: Yamada Isuzu, Tsukasa Yoko, Mihashi Tatsuya
A disruptive innovation emerges when Kawashima Yuzo’s vibrant color and jazz rhythm collide with Naruse’s graceful flow and understated direction. Staged on a boisterous geisha establishment, the multi-threaded story beginning with the amusement of carefree young geisha gradually zooms in on a poignant love triangle: the geisha house manager (Yamada Isuzu) and her daughter (Tsukasa Yoko) fall in love with the same young man. In an agonising confrontation between the two, Naruse’s masterful staging intensifies the film’s cumulative emotional power, whilst the unavoidable farewell laments the value of fading traditions.
Press here for more details on Programme Update for Cine Fan Screenings on 22 & 23 February.
Screening:
In-theatre Screening
Door Tickets Available at the Venue on Screening Date 2020-01-12 (Sun)
16:15Buy Ticket 2020-02-23 (Sun)
14:30
K11 Art House
Chinese Subtitles
Remarks
1. Screenings at Broadway Cinematheque are available at Broadway Cinematheque and website of Broadway Circuit only. For related ticketing information, please refer to www.cinema.com.hk.
2. Screenings at Emperor Cinemas iSQUARE, Emperor Cinemas Times Square and PREMIERE Elements : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.
4. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.
