• Dir: Federico Fellini

  • Italy, 1963, 138 minmins, DCP

  • Cast: Marcello Mastroianni, Anouk Aimée, Claudia Cardinale

Transforming a filmmaker’s creative crisis into a grand epic of profound fascination and imagination, Fellini invented one of cinema’s most recognizable touchstones with his spiritual and artistic musings. Beginning with the iconic image of Mastroianni floating off into the sky, the dreamlike sequences revolve around a famed director, exhausted by his evasions, lies and sensual appetites. Notable for its sublime use of flashbacks and surrealistic touches interwoven with realism, this enduring semiautobiographical masterpiece works like magic and continues to cast its spell.

Academy Awards: Best Foreign Language Film and Best Costume Design (Black-and-White)

#10 in Sight and Sound’s 2012 Greatest Films of All Time Poll

Federico Fellini 100 is part of the Federico Fellini 100 Tour, a series of centennial tributes to Federico Fellini (1920–1993), which will travel to major museums and film institutions worldwide, coordinated by Paola Ruggiero and Camilla Cormanni from Luce Cinecittà. All films (unless noted) have been digitally restored by Luce Cinecittà, Cineteca di Bologna and Cine teca Nazionale.


In-theatre Screening

  • Full House2020-12-12 (Sat)
    Full House2020-12-13 (Sun)
    Buy Tickets2021-04-18 (Sun)
    Buy Tickets2021-04-24 (Sat)


1. Screenings at ALL commercial cinemas : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

2. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

3. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

4. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.