Aguirre, the Wrath of God

  • Dir: Werner Herzog

  • West Germany, 1972, 93 minsmins, DCP

  • Cast: Klaus Kinski, Helena Rojo, Del Negro, Peter Berling

Herzog’s Heart of Darkness is about obsession, an experimentation of cinematic realism paired with an extreme sense of surreality. Laced with legendary incidents during shooting, this riveting epic is about a catastrophic expedition of the Spanish conquistadors into the Peruvian rainforest in search of the lost city of gold, ending up in a futile conquest in unforgiving despair. Kinski invests Aguirre with a frightening intensity, an acute manifestation of what greed and madness can bring human beings to. Herzog’s overwhelming vision, not just of the havoc of civilization, but of the insanity in man, is unmatched even in Coppola’s Apocalypse Now (1979).

1976 French Syndicate of Cinema Critics, Best Foreign Film
2005 TIME Magazine’s All-Time 100 Movies


In-theatre Screening


1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

5. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available after the screening begins.

6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.