Chloe in the Afternoon

  • Dir: Eric Rohmer

  • France, 1972, 95minmins, DCP

  • Cast: Bernard Verley, Zouzou, Françoise Verley

The last of the Six Moral Tales bursts with new elements: a happily-married, well-off lawyer “dreaming of living two lives simultaneously but in a complete and perfect way.” Shifting from his euphoric fantasies about passing beauties, Frédéric falls into the danger of infidelity as he spends afternoons with his free-spirited friend Chloe, talking about love and relationships. A grand summation of Rohmer’s themes on temptations and free will – “in every respects, a perfect film” that ends with a passionate affirmation of marriage. Or otherwise?

Academy Awards: Best Cinematography


    In-theatre Screening


    1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

    4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

    5. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available after the screening begins.

    6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.