Fellini Satyricon

  • Dir: Federico Fellini

  • Italy, 1969, 130 minmins, DCP

  • Cast: Martin Potter, Hiram Keller, Max Born

Describing it as a “science-fiction film”, Fellini set off a pagan magic-carpet ride through Nero’s Rome that almost looks like a futuristic utopia/dystopia. Spun from Petronius’ Satyricon, the free-form fantasia takes wing when two pansexual young men fight over the favors of a handsome slave boy, as they drift through a lustful, delirious landscape. A journey through time in the confines of Cinecittà studios, the dreamer’s sprawling expedition into sexual licentiousness, castration complex and libidinal release conjures up one of his most lavish cinematic myths.

Venice Film Festival: Pasinetti Award for Best Italian Film

22/11 (Sun): Film talk with Giorgio Biancorosso, Professor of Music and Director, Society of Fellows in the Humanities (HKU). Conducted in English.

Federico Fellini 100 is part of the Federico Fellini 100 Tour, a series of centennial tributes to Federico Fellini (1920–1993), which will travel to major museums and film institutions worldwide, coordinated by Paola Ruggiero and Camilla Cormanni from Luce Cinecittà. All films (unless noted) have been digitally restored by Luce Cinecittà, Cineteca di Bologna and Cine teca Nazionale.


In-theatre Screening


1. Screenings at ALL commercial cinemas : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

2. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

3. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

4. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.