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Floating Clouds

  • Dir: Naruse Mikio

  • Japan, 1955, 123 minmins, DCP

  • Cast: Takamine Hideko, Mori Masayuki

A cornerstone of Japanese cinema’s Golden Age, Naruse’s adaptation of Hayashi Fumiko’s novel transcends space and time. A downtrodden girl (Takamine Hideko) and her rakish lover (Mori Masayuki) intertwine the memory of their love affair during wartime Indochina with the decadent state of their current non-relationship in Japan, one eroded by his repeated betrayal and her descent into melancholy. With an innovative flashback structure, this moody masterwork delicately weaves past and present, personal pain and postwar malaise, in a powerful evocation of female mentality.

#1 in Kinema Junpo ’s Top 10

Blue Ribbon Awards: Best Film

    Screening:

    In-theatre Screening

    • Full House2020-01-18 (Sat)
      14:00

    Remarks

    1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

    4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

    5. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available after the screening begins.

    6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.