Eng
中文

Glory to Eternity

  • Dir: Bu Wancang, Zhu Shilin, Maxu Weibang, Zhang Shankun, Yang Xiaozhong

  • 1943, 1943, 151minmins, DCP

  • Cast: Li Xianglan, Nancy Chan Wan-seung, Yuan Meiyun, Gao Zhanfei, Wang Yin

Glory to Eternity was a so-called ‘collaboration’ production in which the Japanese intended to promote anti-US and anti-British sentiments through a recount of Britain’s invasion of imperial China, a propaganda piece to set the scene for the Japanese’s Pacific front. The film, however, turned out to be an explicit allusion sparking off civil resistance against the imminent Japanese aggression… Looking back today, the film’s ‘unorthodox’ historical narrative is truly intriguing… All the female characters are women of moral integrity… Eternal glory does not belong to the legendary Lin Zexu, but Zhang Jingxian, the prefectural magistrate’s daughter who dies fighting the British at Sanyuanli.” – An Affair with Film

(Screening materials courtesy of the National Film Archive of Japan)

1.2.2019 (FRI): Film talk with Lau Yam

    Screening:

    In-theatre Screening

    Remarks

    1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

    4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

    5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.