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In Praise of Love

  • Dir: Jean-Luc Godard

  • France, 2001, 97 minmins, DCP

  • Cast: Bruno Putzulu, Cécile Camp, Jean Davy, Françoise Verny

Returning to Paris and shooting in monochrome, Godard tells the story of Edgar, an artist working on a project about how love evolves at different stages in life. Multiple love stories unfold through Edgar’s project and his relationship with “Elle” (“Her”), a working-class intellectual who opposes her grandparents selling the true story of their involvement in the French Resistance to Hollywood producers. Reversing conventional expectations, an extended flashback that details Edgar’s initial encounter with “Elle” in Brittany is shot in color on digital video, as Godard meditates on love, resistance, and the past as both memory and history.

Cannes Film Festival: In Competition

23/12 (WED): Lecture with May Fung, video artist and cultural worker. Approximately 1 hour, conducted in Cantonese. Audience who attends the course is eligible for a complimentary copy of Godard, Film, History (Chinese version only)

Package Discount : 25% discount to each purchase of 2 or above standard tickets to the film course. 30% discount to each purchase of standard tickets to ALL six film course sessions.

    Screening:

    In-theatre Screening

    Remarks

    1. Screenings at ALL commercial cinemas : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

    2. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

    3. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    4. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.