Eng
中文

Juliet of the Spirits

  • Dir: Federico Fellini

  • Italy, 1965, 144 minmins, DCP

  • Cast: Giulietta Masina, Sandra Milo, Mario Pisu

A gift for his wife-cum-muse Giulietta Masina, this psychoanalytical exploration into a woman’s repressed subconscious may as well be another of Fellini’s confessional laments about his own problems after the phenomenal success of . Disturbed by her husband’s infidelities, the bourgeois housewife embarks on a hallucinatory journey into a phantasmagorical world leading to her self-discovery. Filmed in Technicolor, Fellini’s first color feature transforms a kaleidoscope of dreams, cryptic spirits, and memories into a dazzling anthology of visual delights, taking home the Golden Globe for Best Foreign Language Film.

Golden Globe Awards: Best Foreign Language Film

Italian National Syndicate of Film Journalists: 4 Silver Ribbon awards

Federico Fellini 100 is part of the Federico Fellini 100 Tour, a series of centennial tributes to Federico Fellini (1920–1993), which will travel to major museums and film institutions worldwide, coordinated by Paola Ruggiero and Camilla Cormanni from Luce Cinecittà. All films (unless noted) have been digitally restored by Luce Cinecittà, Cineteca di Bologna and Cine teca Nazionale.

Screening:

In-theatre Screening

Remarks

1. Screenings at ALL commercial cinemas : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

2. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

3. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

4. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.