Kino Eye

  • Dir: Dziga Vertov

  • Soviet Union, 1924, 78 minsmins, DCP

The very name evokes both a philosophy and a film for Vertov and his cameraman/brother Mikhail Kaufman, who sought to create the new man in and through Soviet film that eschewed bourgeois drama and captured the real experiences of everyday people. Yet this was not simple imitation but a construction that used the camera and its visions to evoke perceptions, combinations, and new visions through powerful juxtapositions and montages. Vertov’s fresh and empowered vision of what cinema might be still speaks to us after a century of film explorations.

Further Readings:
Kino Eye, From Masters of the Soviet Cinema: Crippled Creative Biographies by Herbert Marshall (London ; Boston : Routledge & K. Paul, 1983.)


In-theatre Screening


1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

5. Screenings at M+ Cinema: Tickets are available at URBTIX only. No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available from 30 minutes after the screening begins.

6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.