Dir: Alfred Hitchcock
USA, 1946, 101minmins, DCP
Cast: Cary Grant, Ingrid Bergman, Claude Rains
Rio de Janeiro. Nazis. Ingrid Bergman. Cary Grant. Claude Rains. With explosive elements and charismatic stars, Hitchcock reaches a new plateau in directorial vision, positioning a complex love story at the center of a plot with both international espionage and immediate and compelling fears. Moreover, the carefully woven plot was coupled with moments of sheer technical brilliance – watch the key – and Hitchcockian wit as he subverted the limits American censors had placed on how long a screen kiss might last (3 seconds!) A film to enjoy again from many perspectives.
1946 Cannes Film Festival, In Competition
- EMP Cinemas Times Square (Venue)
- Hong Kong Arts Centre Louis Koo Cinema (Venue)
- EMP Cinemas iSQUARE (Venue)
- M+ Cinema (Venue)
- HK Science Museum Lecture Hall
- Hong Kong Film Archive
- K11 Art House
- The Metroplex
- Festival Grand Cinema
- the sky
- MCL Telford Cinema
- Tai Kwun
- MOViE MOViE
- The Grand Cinema
- Broadway Hollywood
- Cine Moko
- CINE FAN ONLINE
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at ALL commercial cinemas: Tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre: Tickets are available at URBTIX until one hour before the screening, after which remaining tickets will be sold only at the door.
4. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX outlets until one hour before the screening, after which tickets will be available at URBTIX website or mobile app only. Ticketing services for respective screening will not be available after the screening begins.
5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.