Petite Maman

  • Dir: Céline Sciamma

  • France, 2021, French, 72mins, DCP

  • Cast: Joséphine Sanz, Gabrielle Sanz, Nina Meurisse

Sharing an intimate understanding of the female psyche as in her Cannes-winning Portrait of a Lady on Fire (2019), Sciamma’s latest fairytale reverie evokes the dual mysteries of memory and the future. Left alone with her dad in the wake of her grandmother’s passing, an 8-year-old girl encounters a playmate having the same name as her mum in the woods, leading her on an enigmatic journey to understand her mother’s melancholy. Crafted in simple elegance and emotional poignancy, this moving parable delivers a spell that makes an impossible reunion possible, if only in imagination.


Berlin International Film Festival: In Competition


    In-theatre Screening


    1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

    4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

    5. Screenings at M+ Cinema: Tickets are available at URBTIX only. No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available from 30 minutes after the screening begins.

    6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.