• Dir: Naruse Mikio

  • Japan, 1951, 97minmins

  • Cast: Hara Setsuko, Uehara Ken, Shimazaki Yukiko

In his first attempt to adapt Hayashi Fumiko’s novel, Naruse’s Repast stars the luminous Hara Setsuko as a housewife to a salaryman husband in Osaka. Five years of marriage has long since dulled: domestic duties have become mechanical and her husband uninspiring. The arrival of her spirited niece prompts a search for the life she once knew in Tokyo. Naruse’s lens captures a livelier Hara, whose warm smiles hide a disappointment at the mundane, and a longing for liberation. Contrasting with her saintly presence in Ozu’s films, Repast offers a complex Hara that is not without troubles and dissatisfaction, articulated through her nuanced performance.

#2 in 1951 Kinema Junpo’s Top 10

1952 Blue Ribbon Award, Best Film & Best Actress


In-theatre Screening

  • 2016-07-30 (Sat)
    2016-10-12 (Wed)


1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

5. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available after the screening begins.

6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.