Repast a.k.a. A Married Life
Dir: Naruse Mikio
Japan, 1951, 97 minmins, DCP
Cast: Hara Setsuko, Uehara Ken, Shimazaki Yukiko
Naruse’s first adaptation of Hayashi Fumiko’s novels launched a wave of shomin-geki films about the working-class in mid-century Japan that earned him critical acclaims. Unlike the devoted character in Ozu’s films, Hara Setsuko, after marrying for five years, finds domestic duties mechanical and her husband uninspiring. Incited by the arrival of her spirited niece, she leaves home in search of the life she once knew in Tokyo, and ends up re-discovering her happiness – a dream comes true, or a self-fulfilling prophecy?
#2 in Kinema Junpo ’s Top 10
Blue Ribbon Award: Best Film & Best Actress
EMP Cinemas Times Square (Venue)
Hong Kong Arts Centre Louis Koo Cinema (Venue)
EMP Cinemas iSQUARE (Venue)
M+ Cinema (Venue)
HK Science Museum Lecture Hall
Hong Kong Film Archive
K11 Art House
The Metroplex
Festival Grand Cinema
the sky
MCL Telford Cinema
Tai Kwun
MOViE MOViE
The Grand Cinema
Broadway Hollywood
Cine Moko
CINE FAN ONLINE
Chinese Subtitles
Category III
Post-screening discussion with the director
Director and/or actor(s) will meet the audience
Post-screening talk
Full House
Introduction
Remarks
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at ALL commercial cinemas: Tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre: Tickets are available at URBTIX until one hour before the screening, after which remaining tickets will be sold only at the door.
4. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX outlets until one hour before the screening, after which tickets will be available at URBTIX website or mobile app only. Ticketing services for respective screening will not be available after the screening begins.
5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.
