Song at Midnight, Part II
Dir: Maxu Weibang
1941, 1941, 107minmins, DCP
Cast: Tan Ying, Liu Qiong, Wan Xianzhai
Song, the disfigured revolutionary, survives and undergoes plastic surgery by an eccentric doctor – a character inspired by Dr. Pretorius in The Bride of Frankenstein (1935) – but ends up becoming even uglier. He rejoins the revolutionaries and eventually sings to Li, who has now become blind due to constant worrying, a passionate love song on her deathbed. This sequel, made in Shanghai during its Orphan Island period, delves deeper into the obsession with self-torment, the fascination with deformity and physical disabilities, as well as developing a portrayal of suffering, fear, despair and nightmares, subtly mirroring the predicament China was in during those turbulent years.
27/03/2017 (Mon): Post-screening seminar with Dr Cormac Newark. Moderator: Timmy Chen (Conducted in English)
Screening:
In-theatre Screening
2017-03-27 (Mon)
19:30
Hong Kong Arts Centre Louis Koo Cinema (Venue)
Chinese Subtitles
Post-screening talk
Remarks
1. Screenings at Broadway Cinematheque are available at Broadway Cinematheque and website of Broadway Circuit only. For related ticketing information, please refer to www.cinema.com.hk.
2. Screenings at Emperor Cinemas iSQUARE, Emperor Cinemas Times Square and PREMIERE Elements : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.
4. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.
