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Song at Midnight, Part II

  • Dir: Maxu Weibang

  • 1941, 1941, 107minmins, DCP

  • Cast: Tan Ying, Liu Qiong, Wan Xianzhai

Song, the disfigured revolutionary, survives and undergoes plastic surgery by an eccentric doctor – a character inspired by Dr. Pretorius in The Bride of Frankenstein (1935) – but ends up becoming even uglier. He rejoins the revolutionaries and eventually sings to Li, who has now become blind due to constant worrying, a passionate love song on her deathbed. This sequel, made in Shanghai during its Orphan Island period, delves deeper into the obsession with self-torment, the fascination with deformity and physical disabilities, as well as developing a portrayal of suffering, fear, despair and nightmares, subtly mirroring the predicament China was in during those turbulent years.

27/03/2017 (Mon): Post-screening seminar with Dr Cormac Newark. Moderator: Timmy Chen (Conducted in English)

    Screening:

    In-theatre Screening

    Remarks

    1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

    4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

    5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.