• Dir: Alfred Hitchcock

  • USA, 1945, 113minmins, 35mm

  • Cast: Ingrid Bergman, Gregory Peck, Michael Chekhov

How striking that this tale of psychiatry should evoke magic in its title? David O. Selznick wanted the director to support the producer’s positive experiences with psychoanalysis, but Hitchcock instead revealed dreams as gateways to nightmares, living and remembered. With unforgettable performances by Gregory Peck and Ingrid Bergman (who had a brief offscreen affair we intuit onscreen) and a dreamscape collaboration with Salvador Dali, of which 90% was cut from the final film. The film remains imbued with a surrealism of dreams themselves and the horror of waking up within them.

1946 New York Film Critics Circle Awards, Best Actress

15/01/2017(Sun): Post-screening seminar with Lau Yam and Geoffrey Wong


    In-theatre Screening

    • 2017-01-15 (Sun)
      2017-03-03 (Fri)


    1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

    4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

    5. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available after the screening begins.

    6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.