The Cameraman
Dir: Edward Sedgwick
USA, 1928, Silent, 68mins, DCP
Cast: Buster Keaton, Marceline Day, Harold Goodwin
In his first feature at MGM, Keaton is on fine form, though he would later regret his move, as the studio wrestled his creative control away. After falling in love with a beautiful newsreel secretary, our hero gets a job as a cameraman, leading to all manners of hilarious hijinks, including a perilous trip to New York’s Chinatown, where he becomes embroiled in a violent Tong War. Beautifully restored to its former glory, this is an unmissable opportunity to experience a late masterpiece from “The Great Stone Face” on the big screen.
Screening:
In-theatre Screening
2021-01-02 (Sat)
17:302021-01-17 (Sun)
20:00
EMP Cinemas Times Square (Venue)
Hong Kong Arts Centre Louis Koo Cinema (Venue)
EMP Cinemas iSQUARE (Venue)
M+ Cinema (Venue)
HK Science Museum Lecture Hall
Hong Kong Film Archive
K11 Art House
The Metroplex
Festival Grand Cinema
the sky
MCL Telford Cinema
Tai Kwun
MOViE MOViE
The Grand Cinema
Broadway Hollywood
Cine Moko
CINE FAN ONLINE
Chinese Subtitles
Category III
Post-screening discussion with the director
Director and/or actor(s) will meet the audience
Post-screening talk
Full House
Introduction
Remarks
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at ALL commercial cinemas: Tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre: Tickets are available at URBTIX until one hour before the screening, after which remaining tickets will be sold only at the door.
4. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX outlets until one hour before the screening, after which tickets will be available at URBTIX website or mobile app only. Ticketing services for respective screening will not be available after the screening begins.
5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.
