The Romance of Astrea and Celadon
Dir: Eric Rohmer
France/Italy/Spain, 2007, 109minmins
Cast: Andy Gillet, Stéphanie Crayencour, Cécile Cassel
The final film of Eric Rohmer, escaping his characteristic contemporary romances into a 17th century pastorale of a shepherd and his beautiful muse, that itself created a 5th century world of nymphs and druids. These choices underpin the work of a master who, in his eighth decade, chose to make a film of classical elegance and simple romance, misunderstandings and passion and all, a film whose sheer poetry offered no commercial reward. A wondrous and rarely seen poetic gift, perfect for a spring of love and fairy tales.
2007 Venice Film Festival
- EMP Cinemas Times Square (Venue)
- Hong Kong Arts Centre Louis Koo Cinema (Venue)
- EMP Cinemas iSQUARE (Venue)
- M+ Cinema (Venue)
- HK Science Museum Lecture Hall
- Hong Kong Film Archive
- K11 Art House
- The Metroplex
- Festival Grand Cinema
- the sky
- MCL Telford Cinema
- Tai Kwun
- MOViE MOViE
- The Grand Cinema
- Broadway Hollywood
- Cine Moko
- CINE FAN ONLINE
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at ALL commercial cinemas: Tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre: Tickets are available at URBTIX until one hour before the screening, after which remaining tickets will be sold only at the door.
4. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX outlets until one hour before the screening, after which tickets will be available at URBTIX website or mobile app only. Ticketing services for respective screening will not be available after the screening begins.
5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.