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The White Sheik

  • Dir: Federico Fellini

  • Italy, 1952, 87 minmins, DCP

  • Cast: Alberto Sordi, Leopoldo Trieste, Brunella Bovo, Giulietta Masina

This satirical comedy launches the maestro’s solo directorial venture and introduces his collision of fantasy and reality that carves his signature cinematic landscape. A pair of provincial newlyweds who arrive in Rome for honeymoon find themselves caught in romantic misadventure and embarrassment when the naïve young bride sets out to meet her heartthrob, The White Sheik, star of a “fumetti” photo-comic strip. The little story about delusion and humiliation written by Michelangelo Antonioni is embellished with Fellini’s humor and empathy – and a glimpse of Giulietta Masina as the prostitute Cabiria.

Venice Film Festival: In Competition

Federico Fellini 100 is part of the Federico Fellini 100 Tour, a series of centennial tributes to Federico Fellini (1920–1993), which will travel to major museums and film institutions worldwide, coordinated by Paola Ruggiero and Camilla Cormanni from Luce Cinecittà. All films (unless noted) have been digitally restored by Luce Cinecittà, Cineteca di Bologna and Cine teca Nazionale.

Screening:

In-theatre Screening

Remarks

1. Screenings at ALL commercial cinemas : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

2. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

3. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

4. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.