Only Yesterday
Dir: Isao Takahata
Japan, 1991, 118minmins, DCP
Breathtakingly beautiful and quietly, yet devastatingly moving, this delicate story of a 27-year-old woman’s journey back to her adolescence creates visual metaphors for feelings to come to life. A vacation back to her home in the countryside triggers a series of childhood memories – her puberty, loneliness and yearnings – interwoven with her current bittersweet life. In dreamlike flights of fancy, she is released from selfrepression and finds inner strength to reconcile with herself. Beyond its veneer of gentle nostalgia, Takahata’s artistry transcends the mnemonic journey into a passionate lyricism of self-realization.
©1991 Hotaru Okamoto – Yuko Tone – GNH
EMP Cinemas Times Square (Venue)
Hong Kong Arts Centre Louis Koo Cinema (Venue)
EMP Cinemas iSQUARE (Venue)
M+ Cinema (Venue)
HK Science Museum Lecture Hall
Hong Kong Film Archive
K11 Art House
The Metroplex
Festival Grand Cinema
the sky
MCL Telford Cinema
Tai Kwun
MOViE MOViE
The Grand Cinema
Broadway Hollywood
Cine Moko
CINE FAN ONLINE
Chinese Subtitles
Category III
Post-screening discussion with the director
Director and/or actor(s) will meet the audience
Post-screening talk
Full House
Introduction
Remarks
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at ALL commercial cinemas: Tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre: Tickets are available at URBTIX until one hour before the screening, after which remaining tickets will be sold only at the door.
4. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX outlets until one hour before the screening, after which tickets will be available at URBTIX website or mobile app only. Ticketing services for respective screening will not be available after the screening begins.
5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.
