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Wife

  • Dir: Naruse Mikio

  • Japan, 1953, 96 minmins, DCP

  • Cast: Uehara Ken, Takamine Mieko, Tanami Yatsuko

Adapted from the same Hayashi Fumiko’s novel as Repast , Naruse plays with the pleasures of fiction, adding conspicuous comic touches while ripping off the sugarcoat of reality. In a bleak story of an unhappy marriage as mundane routine becomes marital strife due to the husband’s affair, Naruse dials up the intractable aspects of the relationship, weaving many side characters into the drama to mirror the couple’s woe and forlorn. Dueling husband-wife voiceovers in the opening resonate at the end – nothing changes, yet everything has changed.

5/1 (SUN): Film talk with Lau Yam

    Screening:

    In-theatre Screening

    • Buy Ticket2020-01-05 (Sun)
      14:00
      Door Tickets Available at the Venue on Screening Date2020-02-09 (Sun)
      19:00

    Remarks

    1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

    4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

    5. Screenings at M+ Cinema: No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available after the screening begins.

    6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.