Celebrating the 100th anniversary of Federico Fellini’s (1920-1993) birth, Cine Fan mounts a full retrospective of his [...]
Celebrating the 100th anniversary of Federico Fellini’s (1920-1993) birth, Cine Fan mounts a full retrospective of his cinematic works. In the fantastical world the Italian maestro invented, the anarchic juxtaposition of fantasy and reality finds its amazing resonance in 2020, a year of turmoil and absurdity that echoes his imaginings.
Transitioning from his roots in Italian Neorealism, Felliniinvented a distinctive style of arty symbolism and whimsical surrealism. Spinning off from La Strada (1954) and Nights of Cabiria (1957), which saw him rise to international stardom, he blended authenticity with outlandish flights of imagery, seeing beyond the grotesque of his characters into the abyss of loneliness. What he conceived is a vision of life that is “spiritually realistic”, genuinely tender and compassionate.
An autobiographical vein running through nearly all of his films – be it post-adolescent limbo in I Vitelloni (1953), glamorous indulgence in La Dolce Vita (1960), or artistic crisis in 8½ (1963) – he transfigured his childhood reminiscence in Rimini and personal adventure in Rome into whimsical artifice that reflect his own fascination. Inspired by a lifelong obsession with the circus, he constructed his beguiling universe of “carnivalesque” spectacle, dreamlike imagery and bizarre scenarios to explore themes of memory, desire and artistic expression.
A marvelous ship sailing in a plastic ocean, Venetians indulging in 18th Century’s decadence, and a pagan journey through Nero’s Rome – Fellini’s visionary creations transcend time and space, yet are never away from the safe haven of Cinecittà. In the dream factory he became an omnipresent sorcerer, creating cinema only a magnificent few can equal, while contemplating its decline alongside his own mortality.
Everything he was, everything he imagined – dreams and desires, fears and regrets – is put into his cinema. To know him is to watch his films, in silence – as the last words in The Voice of the Moon (1990): “If we all quieted down a little, maybe we’d understand something.”
Federico Fellini 100 is part of the Federico Fellini 100 Tour, a series of centennial tributes to Federico Fellini (1920–1993), which will travel to major museums and film institutions worldwide, coordinated by Paola Ruggiero and Camilla Cormanni from Luce Cinecittà. All films (unless noted) have been digitally restored by Luce Cinecittà, Cineteca di Bologna and Cine teca Nazionale.
Variety LightsRead more
The White SheikRead more
I VitelloniRead more
La StradaRead more
The SwindlerRead more
Nights of CabiriaRead more
Federico Fellini Short Film CollectionRead more
La Dolce VitaRead more
Juliet of the SpiritsRead more
Fellini SatyriconRead more
The ClownsRead more
Fellini’s CasanovaRead more
Orchestra RehearsalRead more
Fellini: A Director’s NotebookRead more
City of WomenRead more
And the Ship Sails OnRead more
Ginger and FredRead more
The Voice of the MoonRead more